Artist Statement

A dedicated conceptual autobiographer, my current work is part of a new cross-platform project called “A Comfortable Skin” whose leitmotif addresses the de(con)struction of self in relation to society’s perception/projection/reflection of beauty. This work focuses on the complexities of gender identity, body image, and the societal privileging of women's physical beauty over character and intellect. The series already includes painting on canvas, wood and mannequins, sculptural installation, digital animation made in Second Life, and narrative photography and video. Mimicking the procedure of cutting up the body through plastic surgery I cut up/de(con)struct/reconstruct these art objects that are related to my identity as an analogy to transformation.

From video skins to tangible objects, in Second Life and In Real Life, I focus my attention on a cheeky exploration of the commonplace trappings of childhood, and the role of gender-branded toys in instilling skewed societal values from an early age. Vanities, kitchenettes, toy cars, beauty products, pink shag carpet -- all of these and more seemingly innocuous set pieces of our romper room days reinforce the toxic messaging about women's work and self-worth as a function of body image. Messaging that follows adult women into the boardroom and the bedroom.




Kristine Schomaker is a multidisciplinary artist, art historian, publisher and mentor living and working at the Brewery artist complex in Los Angeles, California. She earned her BA in Art History and MA in Studio Art from California State University at Northridge where she studied under Betty Ann Brown and Samantha Fields. In 2014 Kristine founded Shoebox PR, a support network that focuses on creating community and offering mentorship and resources to artists.

Kristine is also the publisher of Art and Cake a contemporary L.A. Art Magazine focusing on underrepresented artists and exhibitions. Kristine has taught art history at Antelope Valley College and Pasadena City College, formed an artist collective in Los Angeles and has organized and curated numerous art exhibitions throughout Southern California. Kristine sits on two non-profit art boards: CSUN Arts Alumni Association and the Brewery Artwalk Association.
Exhibiting her work since the late 1990’s, Kristine has been featured in numerous exhibitions including most recently, group shows at Golden West College, Coastline Community College, Keystone Art Space, LAVA Projects, San Diego Art Institute, Launch LA, Surrogate Projects, 18th Street Art Center, Durden and Ray, USC Keck, Blue Roof Studios, Monte Vista Proejcts, Finishing Concepts, PØST, Brainworks Gallery, BLAM, MuseuMM; Torrance Art Museum, I-5 Gallery, Angel City Brewery. She has also had these solo exhibitions: “Plus” at Ark Gallery in Altadena and Moorpark Community College, “Mirror, Mirror!” Gallery H Phantom Galleries LA, Hawthorne, California, “A Comfortable Skin,” Kerckhoff Hall Art Gallery UCLA, presented by UCLA Cultural Arts Commission, Los Angeles, California and “Ce n’est pas une peinture,” TRACTIONARTS, Los Angeles, California.